Message from the President

On July 10th and 11th, 1995, at UNESCO, 65 countries signed the founding charter in order for the “Olympic Arts” to be reborn as the ancient Greeks created them in 566 B.C, under their original name (see press articles on the website).

In 2016, we let go of the original term « Olympic » in favor of a reference to Mount Olympus, foreshadowed in our logo, and became “Les Arts de l’Olympe/ Olymp’Arts”. The “Art Olympiads” were first introduced in Ancient Greece following a specific timeline. Their historical renewal is claimed to have happened in 1995 at UNESCO and, as a matter of fact, this rebirth of the Arts Olympiads has always been independent from the Olympic and Sports Movement (IOC). In order to better distinguish ourselves from the sporting world and avoid any confusion, we changed the terminology. The IOC did approve of this change.

The first encounter of this historical rebirth dedicated to Art is planned to happen in 2021 and will gather the best artists selected by the 206 participating countries.

The award-winning works are to combine the more universal, harmony and non-violence characteristics (any form of violence, even allegoric, is proscribed).

In all categories, three artistic works will be selected as the winners by the present audience, who will be the sole judge of each competition.

Unlike sports, art is a subjective activity which can only be judged on its capacity to please and move people. It cannot be quantified or measured. Therefore, no one can claim to be the “first” artist (meaning the greatest or the “best in the world”) in any field whatsoever. It would only foster ego in an area where the artist is supposed to give way to his work.

This is the very reason why the three winners of every category will each get a trophy of equal value.

The Olymp’Arts are also the first modern competition dedicated to Art that gives solely to the public the entire freedom to select works based on their feelings and the criteria mentioned above.

The representatives of 65 countries – including high-ranking officials – came to sign the first charter in 1995. Numerous well-known personalities of the world of art and culture, international organizations and institutions backed and certified this creation. The international press was also present and numerous articles were published in various countries on this occasion.

The year 2021 (3 years after the PyeongChang Olympic Games) is the chosen date for this effective rebirth, due to the development of technology, the long and essential groundwork of this first world premiere and the respect of the ancient Greece calendar.


President Founder

Executive Committee


President Founder

Françoise LEGRAND

Artistic Director & Co-Founder


Stage Manager & Co-Founder


Director of Exhibitions & Co-Founder

Jonathan WACHEUX

IT Manager Webmaster


Vice President


Director Strategy Institutional Relations Partnerships


Marketing Director and Graphic Design


Director of development

Virginie HURMANE

Brand Management and Social Networks



Ambassador of the Olymp’Arts in North America & Co-Founder CANADA


Ambassador of the Olymp’Arts in Europe & Co-Founder FINLAND


Ambassador of the Olymp’Arts in Eastern Europe and Northern Asia & Co-Founder RUSSIA


Ambassador of the Olymp’Arts in Oceania and South East Asia & Co-Founder NEW ZEALAND


Ambassador of the Olymp’Arts in Western Europe (South) & Co-Founder ITALY

Marlos NOBRE

Ambassador of the Olymp’Arts in South America & Co-Founder BRAZIL

Adépo YAPO

Ambassador of the Olymp’Arts in Africa & Co-Founder IVORY COAST

Founder Honorary Committee

During the creation of the « Olymp’Arts » at the UNESCO in 1995, all the greatest artists who were invited to represent the artistic disciplines enthusiastically agreed to be part of the Honorary Founding Committee.

Tadao ANDO

Japanese architect


Dancer, French choreographer

Lorin MAAZEL †

Conductor, Violinist, American composer


Dancer, Choreographer, Poetess, American Calligrapher


Sitarist Musician, Indian Composer


American soprano

Miloš FORMAN †

Writer, American director


French actor


Japanese conductor


Actor, Director, Director, Screenwriter, French Dialogist

Maurice BÉJART †

Dancer, French choreographer


Fine artist, Painter, Sculptress, French-American director

Richard MEIER

Architect, American Abstract Artist


Writer, Journalist, French Philosopher


Writer, Autobiographer, Chinese and Belgian Historian


French architect

Steven HOLL

American architect


Director, American visual artist

National Committees

1.National Committees are optional.

2.Only one National Committee (NC), recognized by the Executive Council of the Olymp’Arts (ECO), may represent a country.

3.The regulations to define and supervise the management of a NC and its relationship with the ECO will be developed separately for each country.

4.The existence of a NC is directly conditioned to the development of its networks and its access to the Internet, both nationally and regionally.

5.The registration of an artist through a NC will be taken into account only if the possibility of a direct registration by Internet on the site of the Olymp’Arts is neither possible nor accessible to them.

6.Artists, independent of any institutional structure, will always have the possibility of registering directly with the Olymp’Arts, via the applications available on the site of the organization. It will not be compulsory to go through a NC.

7.Consequently, the main function of a NC is to compensate for the failure of the Internet networks in its country or to help artists who do not have the personal means to access it. In this hypothesis, the NC’s main objective will be to seek out, through its own national associative networks, all artists with little-known talent whose isolation prevents them from making themselves known.

8.The second responsibility of a NC, if it is set up, is to participate in the development of the Olymp’Arts in its country, by increasing the number of press releases, messages and information, to the artists and the media, by all the national means placed at its disposal : press, social networks, radio, television.

9.When the setting-up of a NC is necessary, the official representative must immediately inform the ECO.

10.In this eventuality, the NC should be made up of a group of people whose vocation is to promote creativity and artistic expression.The members of this committee will have to organize themselves around a non-profit making association, and its statutes will have to guarantee the respect of the rules and the basic principles of the Olymp’Arts, while demonstrating its wish and its ability to discover artists of talent.

11.In the future, the existence of a NC could be queried when the development of social networks and means of access to the Internet (computer and smartphone) is sufficient to allow any artist to access it, wherever they may be located in the country.

12.The NC will have to appoint an official representative, acquire an address and permanent references as well as an affiliation to an electronic communication network (e-mail, telephone and website). English and French are the official languages of the Olymp’Arts.

13.When the NC has been set up, it must submit a copy of its statutes to the ECO’s headquarters in order to receive formal approval. Any changes of its statutes must also be communicated to the ECO.

14.The Rules of the Olymp’Arts take precedence over all other regulations, including the statutes of the NC.

15.The NC also accepts the final authority of the ECO The NC can freely use the Olymp’Arts emblems and logo, without the possibility of modifying However, the basic design may be associated with a distinctive sign, symbol or name identifying the country concerned. By “associated”, this means “placed next to” or below, without the original logo of the Olymp’Arts under going the slightest modification in its integrity of form and colour. The final design must be approved by the ECO.

16.These regulations are non-exhaustive

Press articles following the constituent assembly of 1995


The first Olympiads in history exclusively dedicated to art were created in 566 BC *, then abandoned – as were the ancient Olympic Sports Games – and never restored until today!

The notion of Olympism, which was conceived by the ancient Greeks seven centuries B.C., already covered two complementary and distinct elements: the body and the spirit.

Sport is the performance of the body. The arts are the creation of the spirit. The Greeks understood this, and for this reason, they decided to hold the two events at two different times.

Indeed, the difficulty and the pitfalls that were encountered from the very beginning to perpetuate the artistic competitions in the midst of the sports competitions have eventually led them to reflect and come up with a better solution.

By transforming the “Great Panathenaia” – whose origin goes back more than ten centuries B.C.  – into an artistic competition which took place “every four years, the third year after each Olympic Games” *, the Greeks thus determined the Olympic character of these artistic competitions.

This well-thought timetable set by the ancient Greeks made it possible to combine sport and art, which they regarded as complementary, in the notion of Olympism, while condemning both Games to never occur at the same time, thus preventing one from shading the other.

But the story is now in the past, and these events have been forgotten!

It was in 1995 at UNESCO that the charter of this rebirth was founded by 65 countries with the aim of reviving these “Olympiads” * of art that the ancient Greeks had separated from sport.

Among the numerous supports received, the United Nations and the “Centenary Congress of the International Olympic Committee (IOC) Paris 1994” should be noted.

The year 2021 will see the first realization of these Art Olympiads.

* « The Eternal Olympics » The Art and History of Sport – Editeur Nicolaos Yalouris – Caratzas Brothers Publishers – New Rochelle – New-York 1979

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